The story revolves around Iris who replies "They aren’t" to her osteopath when he asks her how things are going with her husband. This confession slips out, taking Iris by surprise, and rocking her like a brutal awakening: how long has it been since she made love? But everything is fine: Iris has a seemingly flawless husband, two wonderful daughters, a dental practice with a relentless stream of customers, a nice apartment in an area she loves, friends who understand her... And she’ll soon be 50. And then a stranger plants a seed in her head: "Take a lover". Iris open Pandora’s box and candidates emerge as if from nowhere – as if it were raining men.

Au début de la Première Guerre mondiale, deux voisins de palier se retrouvent compagnons d’infortune. Confrontés à l’horreur des tranchées et à la peur de la mort, ils se rapprochent et se lient d’amitié. Mais ces vifs sentiments que la guerre a engendrés survivront-ils à un retour dans la monotonie quotidienne ?

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Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

贤俊（李秉宪 饰）和思宇（郑俊浩 饰）为NSS（国家安全局）要员，均爱上了美丽上司胜熙（金泰熙 饰），但后者与贤俊情投意合。副局长白山派他们营救科学家，后者死前将一U盘托付贤俊。白山密派贤俊暗杀朝鲜2号人物，贤俊不辱使命，却遭灭口，出于兄弟情，思宇放了贤俊。后者准备与胜熙逃亡时遭遇爆炸。贤俊逃亡日本，并与追踪他的朝鲜特工善华（金素妍 饰）冰释前嫌，共同进退。死里逃生的胜熙坚信贤俊在世，多次违规调查。贤俊在日本遭到追杀，连累救命恩人一家惨死。走投无路的贤俊投靠了朝鲜，并随恐怖组织攻击了NSS总部，见到了朝思暮想的胜熙，但仍无法相认。贤俊终于解开了U盘的秘密，原来白山是自己的杀父仇人，而这背后还隐藏着一个神秘组织——IRIS。朝韩双方高层会谈，卫队长密谋制造恐怖爆炸。追查中的胜熙被恐怖分子生擒，爱人竟以仇人面目相对，迎接他们的是更加残酷的阴谋…… 　　本片是KBS台投资200亿韩元打造的首部谍战巨制，屡创收视纪录

Two friends, members of the South Korean military, are recruited by a secret black ops agency.

主角希望可以像蝴蝶一样飞翔——意指人们的理想与梦想，但是她没有蜕变成蝴蝶，她用了许多方法都没有成功。但是有一次偶然发现只要找到蝴蝶花并许愿就能达成愿望。她经历了许多困难，但是指路的图纸却毁坏了，她的希望破灭了，但是她没有放弃，抓住了一点点希望——萤火虫变成的蝴蝶，就在这时，她被蝴蝶的光芒环绕，变成了那朵可以许愿的花。

Women´s bodies are presented as ambiguous erotic landscapes, sometimes classically baroque, sometimes cubistic visions in a distorted reflection, depending on the camera angle and shot size. Finally the female flesh frees itself to the accompaniment of electronic smacking noises and, ignoring all gender borderlines, unites with itself in Cronenbergesque growths. 　　(Maya McKechneay)